Saturday, April 7, 2012

Feeling Tickled Pink









I'm feeling like wearing a lot of soft pink colours! After looking at this site.

Some fancy things I would like to wear right now.

Oh, I just want to wear chiffon and go around in bare feet (even if I did just purchase huge crazy boots). Yes, I want spring. I'm all ready for it.

Chin up, walk tall

They're here!

They are mighty tall, and I walked around them for a while thinking that I should probably return them because they're so tall.


Except they're so awesome so I'm not going to return them.




Who doesn't like some Jak & Jil for their weekend?


Image Source: Me, Jak & Jil


Go Crazy

Ohhhh I did something totally insane and spent money on a pair of boots that look like this:

Yes. They will be here tomorrow. Wonderful Guess "Maeve" boots. Kind of gothic but I can't wait to wear it with my chiffon dress with tights and leg warmers, a black blazer, and some crazy coloured scarf.

So now for some outfits that I would gladly wear. Because we all have Lacroix, Moschino and Schouler lying around in our closets.

SO EXCITED. SO IN LOVE.

But not nearly as excited or as in love with the fact that Barack Obama is now our President!!

Friday, April 6, 2012

CLUB JACKET

full_jackets_sanmar_03
Featured: Club Jacket by Sanmar
In the fashion world, colour-blocking  is in. You might fret that you look ridiculous wearing a burnt-orange shirt and navy-blue pants, but you will find that designers are actually creating single-piece garments in literal blocks of stark colour contrasts. For the daring fashionista, choosing contrasting colours from opposite ends of the colour wheel can result in surprisingly appealing combinations.  Here are the rules to the art of colour-blocking:color-wheel-300
  • Three is the magic number
  • Keep colours in the same family
  • Be loud and proud
  • Keep it simple
Discover analogous , triadic , and split-complementary colour combinations.
You will need:
  • Up to 1 ½ yds. [1.4 m] of fashion fabric, colour A*, 45” [114 cm] wide.
  • Up to 1 ½ yds. [1.4 m] of fashion fabric, colour B*, 45” [114 cm] wide.
  • Up to  2  ½ yds. [ 2.3 m] of lining fabric, 45” [114 cm] wide
  • Approx. 2 yds. [1.8 m] of elastic, 1” [25mm] wide
  • ½ yd. [0.5 m] of fusible interfacing, 24” [61 cm] wide
  • 1 separating zipper **
  • Coordinating thread
  • Kraft paper
* see Cutting Instructions to determine the yardage required as it is dependent upon the colour-block styling. Feel free to use a third colour in your combination; the featured model uses two colours.

** zipper length = distance from top of collar to garment hem minus 1” [25mm].
Design TipMatch colour of zipper to lightest fabric colour used in colour blocking

MEASUREMENTS

Chest – measure around the upper torso just below the arms
Waist – measure around the narrowest part of torso, just above the navel.
Seat – measure around fullest part of hip, about 9”[23 cm} below waist.
Back width – measure across the shoulder blades from armpit to armpit.
Shoulder – measure from neck to ball socket of shoulder.
Back waist length – measure vertically from nape of neck to natural waistline.
Armsyce depth – measure vertically from top of shoulder to nipple.
Neck – measure around base of neck.
Arm length – measure from end of shoulder to wrist.
Finished Length - measure vertically from nape of  neck to desired length.

PATTERN

Easy fitting coats, jackets and smock shapes can be drafted from a simple grid which maps the basic control points of the body shape. The grid lines can be used for reference. Simple dramatic shapes can be achieved from this type of draft, like the club jacket fromSanmar . The grid is constructed to basic body measurements; substantial ease must be added for movement and styling. Once it is completed, the draft is aligned at the shoulder-sleeve seam and stylelines are drawn in and cut apart for colour-blocking. As the designer, you may create any shape of style lines desired and they may flow seamlessly from front to back. (Try to avoid any sharp angles and corners for ease of assembly.)
jacket draft
Body Grid
Draw 2 lines from A at a 90° angle.
A-B = ¾” [20mm]
A-C = 1/5 of neck measurement minus ⅛” [2 mm].
B-D = armsyce depth; square across.
D-E = 1” [25mm]; square across to mark chestline.
B-F = back waist length; square across.
F-G = 9” [23 cm]
A-H = 1/5 of neck measurement; draw in back neck curve from B to H, as shown.
Draw in front neck curve from C to H, as shown.
G-I = ¼ of chest measurement; square up to the armhole.
Draw a tangent line from H at a 17°angle from the line at point A.
H-J = shoulder measurement.
Style Adaptation
Mark point K on the centerline at the desired finished length + 1” [25mm] turn; square across.
K-L = ¼ of the seat measurement + ⅓ the distance of G-I for ease
Draw a construction line from H through the armhole (intersection of D and I) as shown.
Square up from L to locate M at the intersection of the lines.
Locate N at the waistline.
Extend the shoulder line from JJ-O = arm length + 1” [25mm] turn.
O-P squared from O = 12” [30.5 cm]; join P-M.
M-Q is the measurement M-N.
Draw a smooth underarm curve from N to QR is located at the intersection of lines, as shown.
Collar Section
Measure front and back necklines from draft. Compare amount with actual neck measurement. If necessary, increase neckline on draft so total is at least 1” greater than actual body measurement. (This amount may be greater than 1 inch if desired)
On a straight line, V-W = ½ of the back neck measurement.
W-X = ½ of the front neck measurement; square up.
X-Y = ⅜” [10mm].
X-Z = 4” [10 cm].
V-AA = 4” [10 cm]. (CB line)
Join Z and AA.
Fold on CB line and trace out mirror image of collar.
Add seam allowance.
Colour Blocking
S is midway between J and O.
Lay a set square on the sleeve line at and draw a line at a 90°angle to touch on the line from E. Label this point, T.
S-U = distance of S-T.
Square a line from U to the underarm line.
contrast
For the back yoke, trace out B-H-J-T-E-B.*
For the front yoke, trace out C-H-J-T-E-C.*
For the sleeve bottom, trace out U-O-P-U.*
* Add seam allowance and label CONTRAST.
self pcs
For the upper sleeve, trace out T-S-U-Q-R-M-T.**
For the front and back body, trace out E-M-R-N-L-K-G-F-E.**
** Add seam allowance and label, SELF.
Lining
For front lining, trace out C-H-M-R-N-L-K-G-F-E-D-C.***
For the back lining, trace out B-H-M-R-N-L-K-G-F-E-D-B***
For the sleeve lining, place sleeve line (H to O) on foldline of paper and trace O-P-Q-R-M-H*** jacket lay
*** Add seam allowance and label, LINING.

CUTTING

Fabric A (self)
Front Body – cut 2X self
Back body – cut 1X self on fold
Upper Sleeve – cut 4X self (reverse)
A 2” wide strip equal to length of collar.
Fabric B (contrast)
Front yoke – cut 2X contrast
Back Yoke – cut 1X on fold contrast
Sleeve bottom – cut 4X contrast (reverse)
Collar – cut 2X on fold contrast
Lining
Front – cut 2X lining
Back – cut 1X on fold lining
Sleeve – cut 2X lining
Interfacing
Collar – cut 2x fusible
Design TipSelect 2 to 3 colours from the same kind of fabric for colour-blocking. If you are creating a bold outer-shell, keep the lining subdued; or if the shell is somber in colour, choose a bright lining.

ASSEMBLY

1. Iron fusible interfacing to wrong side of collar pieces following manufacturer’s directions.
For outer collar, stitch contrast strip 1” [25mm] from edge across top of collar with right sides facing together (RST). Flip trim FACE UP and trim any excess fabric if necessary.

2. For lining, sew sleeves to each side of back with RST.
Sew one front to each sleeve with RST.
With RST, attach untrimmed collar piece to neckline of lining.
Fold sleeves in half with RST and align and match underarm and side seams of body. Pin/baste and sew seams. Press seams open. Set aside.

3. For shell, sew sleeve bottoms to upper sleeves with RST for the front and back sections.
Sew sleeve halves to body with RST for the back and front sections.
Sew back yoke to back body section with RST, pivoting at the armhole seam.
Sew one front yoke to each front body section with RST, pivoting at the armhole seam.
With RST, align and match fronts to back at all seams on sleeve line. Pin/baste and sew shoulder and sleeve seam.
With RST, attach trimmed collar piece to neckline of shell.

4. Insert separating zipper to front edge from top of collar to within 1” [25mm] of hemline.
Fold sleeves in half with RST and align and match underarm and side seams of shell.
Pin/baste and sew seams. Press seams open.

5. To insert lining, place sleeves of shell into sleeves of lining with RST. Align and match outer edges of the garment. Pin/baste together. Stitch along the zippered edges and across top of collar. Trim corners of collar to reduce bulk. Turn garment RIGHT SIDE OUT. From between the shell and lining, attach the seam allowances of the collar and neckline together. (This can be machined or basted by hand.)
With garment FACE UP, topstitch  along zipper edge and collar.

6. At the wrists and the hemline, turn in 1 ¼ ” [30mm] on the shell portion only and press. Align the edge of the lining along the creaseline. (This will allow for a bit of slack in the lining.) Turn under ¼” [6mm] on the shell fabric and stitch a 1” [25mm] casing for the elastic. Leave a small opening to thread the elastic through each casing.

elastic

7. To complete the jacket, draw elastic through casing at wrists and zigzag ends together. Stretch out elasticized cuff to distribute the elastic evenly and stitch up opening. “Stitch in the ditch ” through the sleeve seams to prevent elastic from twisting in casing.

8. Draw elastic through casing at hemline. Tack each end of elastic at the end of the casing at the CF. Stretch out elasticized hem to distribute the elastic evenly and sew through the sideseams using the “stitch-in-the-ditch ” method to prevent the elastic from twisting.

TIERED GOWN

oscar
Featured: Oscar de la Renta Tiered Gown
Among the occasion gowns, a tiered empire-waisted number is always a standout with its elegant double-ruffled flounce. In coral silk taffeta , it’s unmistakably Oscar .
You will need:
  • Approx. 4 ½ – 5  yds. [4.2 - 4.6 m] of fashion fabric, 60” [152 cm] wide
  • 1 dress zipper, approx. 15” [30 cm] long
  • Coordinating thread
  • Kraft paper
MEASUREMENTS
Bust – measure around the fullest part of breast, just under the arm.
Chest – measure around upper torso, just under the breast.
Waist – measure around narrowest part of torso, just above navel.
Back width – measure across shoulder blades from armhole to armhole.
Back waist length – measure vertically from nape of neck to waistline.
Dart Size = 2 ¾” [7 cm].  (This is an average bust dart amount for a B-cupMore or less darting may be taken, if desired.)
PATTERN
bodice draft 2
Bodice Section:
Draw 2 lines at a 90° angle from point A.
A-B = ¾” [20mm].
B-C = back waist length.
Square across from C. (waistline)
B-D = half of B-C. (bustline)
D-E = quarter of B-C.
D-F = half of bust measurement.
Square up and down from F to locate G and H.
D-I = half of back width
F-J = half of back width + half of dart + ½” [12 mm].
K is located midway between I and J.
Square up from K to located L.
M is located at the intersection from J.
N is located at the intersection on the centerfront line.
F-O = 2 times distance of N-F.
Square across from O.
Square down from K to locate P at intersection.
G-Q = 3” [75 mm].
Q-R = dart size.
F-S = half of line F-J.
S-T = ½’ [12 mm].
Connect Q to T with a straight line and extend to waistline.
Connect R to T with a straight line and extend to waistline.
D-U = quarter of C-D.
Connect M to U with a straight line.
H-V = half of waist measurement less darting.
Join U to V with a straight line.
Place set square on line U-V and draw a line at a 90° angle to connect to P.
At M and P, smooth the chevron with a curve to blend the lines together.
Place set square on baseline and square a line to L. (side seam)
Shoulder strap front placement is located midway between side seam and dart. (■)
Shoulder strap back placement from side seam equals front amount + 1” [25 mm].
To complete draft, cut through the center of the bottom dart and close top dart to release it into bottom dart, pivoting at T. (see silhouette in diagram above)
Fitting Tip: Measure the bottom edge of the bodice pattern and compare to the chest measurement. Adjust the dart with the difference, if necessary.
Grainlines are parallel to CF and CB.
Add ½” [12 mm] seam allowance to bodice pattern. (Cut front pattern on fold)
For shoulder strap, draw a rectangle = back waist length X 5” [12.5 cm].
Skirt Section:
sheath draft
Measure bottom edge of bodice, less darts . This amount is X.
For the upper tier, draw a rectangle.
Make the CF = ½  X – 1” [25 mm] x back waist length + 3” [75 mm].
Make the CB = ½  X + 1” [25 mm] x back waist length + 7” [180 mm].
Connect the bottom with a diagonal line and divide the pattern.
For the lower tier (front & back), draw a rectangle = 2X x back waist length + 3”[75mm].
For the ruffled flounce, draw a rectangle = 2X x back waist length + 1” [25 mm].
Grainlines are parallel to CF and CB.  (Cut upper tier front pattern on the fold).
Note: Seam allowance (1/2″ or 12 mm) is included in skirt section.
Fitting Tip: The finished length may be adapted by adding or subtracting equal amounts from the top edge of the tier panels. Take gown length measurement while wearing evening shoes.
lay
CUTTING
Shoulder Straps – cut 2X self
Bodice Front – cut 2X self
Bodice Back – cut 4X self
Upper Tier Front – cut 1X self
Upper Tier Back – cut 2X self
Lower Tier – cut 2X self
Flounce Ruffle – cut 4X self
ASSEMBLY
1. Make 2 shoulder straps. With right sides together (RST), fold strap piece in half lengthwise and sew along long open edge. Press seam open. Turn strap RIGHT SIDE OUT. Center seam in middle of width and press flat. Set aside.

2. Make flounce. With RST, sew ruffle panels together along short ends of rectangle to make a “loop”. Press seams open.

With RST, fold the loop in half aligning the raw edges and matching the seams. Sew around the loop, leaving a 6” [15 cm] opening for turning out. Turn flounce RIGHT SIDE OUT and fold 2” [50mm] from seam. Press gently along fold. Set aside.

3. Sew darts on front bodice pieces.

4. Sew bodice backs to bodice front at side seams. Press seams open.

5. Pin/baste shoulder straps to bodice at ■. (You may need to adjust its length).

6. With RST, sew the bodice pieces together along the top edge, ensuring to catch shoulder straps in the stitching. With inner bodice (lining) FACE UP, under-stitch along top edge of bodice. Turn under seam allowance on lower edge of inner bodice and press flat. Set aside.cornerb

7. With RST, sew upper tier backs to upper tier front, matching at side seams and CB seam from bottom of zipper opening. Press seams open.

Turn under top edge of upper tier by 1 ½” [40 mm] and gently press fold.
With RST, stitch a diagonal seam at each corner of zipper opening. Trim excess away and turn RIGHT SIDE OUT. Set aside.
8. With RST, sew lower tier panels at side seams and press seams open. Turn under top edge of lower tier by 1 ½” [40 mm] and gently press fold. Hem bottom edge with a ¼” [6 mm] double-rolled hem finish.ruffle

9. With lower tier and flounce FACE UP, attach flounce to bottom edge of lower tier. Gather along the horizontal seam of the flounce and ruffle the top edge. Distribute the gathers evenly along the bottom edge of the lower tier and stitch through all the layers 2” [50 mm] from fold. ( gathering ratio = 2:1)

10. With upper and lower tiers FACE UP, attach lower tier to bottom edge of upper tier matching at the side seams. Gather 1” [25 mm] from the top fold of the lower tier and ruffle the top edge. Distribute the gathers evenly along the bottom edge of the upper tier and stitch through all the layers 1” [25 mm] from fold. (ratio = 2:1). From inside the garment, stitch the ½” [12 mm] seam allowance of the lower tier to bottom edge of upper tier.

11. With upper tier and bodice FACE UP, attach upper tier to bottom edge of bodice matching at the CF, side seams, and CB seam. Gather 1” [25 mm] from the top fold of the upper tier and ruffle the top edge. Distribute the gathers evenly along the bottom edge of the bodice and stitch through all the layers 1” [25 mm] from fold. (gathering ratio = 2:1). Press seam upward.

12. Insert dress zipper into CB seam from top of bodice using the center slot application. 

13. Align bottom edge of inner bodice to stitching line and match at seams. Slip-stitch along bottom edge of inner bodice and along zipper tape.